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When handling an event, you may want to reprompt users so that they can hear the question again. Consider the previous example, where the conversation might have sounded like this: IVR: Please say your account number. Caller: (silent) IVR: You did not provide the correct expected input. (catch event fires) Caller: 12345678 IVR: Please enter your PIN code. You could replay the last prompt simply by adding the <reprompt> element, as in this example: <catch event="noinput nomatch"> <prompt>You did not provide the correct expected input</prompt> <reprompt /> </catch> This would allow for the following dialog: IVR: Please say your account number. Caller: (silent) IVR: You did not provide the correct expected input. (catch event fires) IVR: Please say your account number. Caller: 12345678 IVR: Please enter your PIN code. Four shorthand <catch> elements provide a shorter way to writing the associated basic catch events: <error>, <help>, <noinput>, and <nomatch>. For example, instead of writing <catch event="noinput">, you can simply write <noinput>. These elements take the same two attributes as the <catch> element: cond and count. You can use the <log> element to write log messages to the server. This element does not interact directly with the user. For example, you may want to log errors that have occurred for review: <log>An error occurred from caller, <value expr=</log>

The IP address of the server that s exporting the NFS information. Optional. If the server is specified in the IP parameter, it s used by default. It s permissible for this to be different than the IP supplied in the IP parameter. The directory on the NFS server to mount as the root file system. Required. Any option to control the NFS connection. The default parameters are sufficient; however, a table follows that describes GRUB s different values.

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Warp is like Displace but with a twist literally. Like Displace, it uses a gradient map to control how much each pixel will move. But Warp only needs a single map where Displace uses two. When warping, the difference between a pixel in the map and the pixels nearby controls the amount and direction of displacement in the source image. It s most commonly used with random maps. To try it out, create a new layer the same size as the one you want to warp, and then generate some noise (Filters Render Clouds Solid Noise works well). Use the noise layer as the warp map (Figure 7-28).

For the record, Table 7-3 lists the NFS options. When you re booting a board, the default NFS parameters are usually adequate. For a production system, you re likely to change the rsize and wsize parameters, because most devices perform better with higher numbers However, in some situations on a production, an NFS server is used as a data-sharing tool, and in that case, the parameters that control caching are of utmost importance.

Figure 7-28. 25 steps of random Warp on some text and a rectangular border. The Rain pattern background was not warped. Under Basic Options, Step size controls how far a pixel can move in each step; Iterations controls the number of times Warp will be run. Usually, you ll want to run quite a few steps (Figure 7-28 used 25 steps). It s fun to watch the effect of the warp as it proceeds. In Advanced Options, Dither size can add some extra randomness. Rotation angle is, according to the documentation, The angle through which the local gradient of the displacement map (control matrix) will be rotated before displacing the pixel in that direction. (Well, the dialog did warn you that this was an advanced option!) The plug-in s author recommends staying with 90 in most cases. You can add a magnitude map, another monochrome image that adjusts the intensity of the effect at each point (white means maximum effect; black gives no effect). There are several even more advanced options: experiment if you re so inclined. You don t have to use random maps. Try using a series of black feathered polka dots: start with a white background, choose the Ellipse Select tool and turn on feathering, and then make a small circular selection and fill it with black. Make another circular selection and fill it, and

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