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GridPort is a portal services layer that mediates between the backend and the portal layers (see Figure 281) GridPort modularizes each of the steps required to translate the portal requests into Grid service function calls, for example, a GRAM submission In the context of the architecture of Foster et al [10] that describes the Grid anatomy , GridPort represents an API that supports applications (portals) and interfaces to the Collective and Resources layers In a sense, a producer/consumer model exists between each layer Each layer represents a logical part of the system in which data and service requests ow back and forth and addresses some speci c aspect or function of the GridPort portal system For example, GridPort consumes Grid services from a variety of providers (eg via the Globus/GRAM Gatekeeper); as a service provider, GridPort has multiple clients such as the HotPage.

The most straightforward method of disabling the recording process is simply to remove the listener that was added to the map. That stops the function triggered by the listener from being executed:

hasTranslatedAttributes()

import fl.events.ListEvent;

An alert is raised if the map has not been clicked and a point has not been created:

p) 75311620 (modulo 8101) 5221 ) x3,0 4

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InDesign provides a way to change how the Lock to Baseline Grid feature works. Normally, every line in your text is aligned to the baseline grid when the feature is selected, but in some cases you want only the first line of a paragraph to align to the baseline grid. For example, it s common to align just the first line in a multiline subhead to the baseline grid, letting the extra lines fall naturally based on the paragraph s leading. InDesign gives you a control to get this behavior: The Only Align First Line to Grid option in the Paragraph panel s and Control panel s flyout menus. You can use this option for any paragraph that you want to be the reset point if your text gets off the baseline grid, without forcing every line to align to the grid. (Otherwise, every line in the subhead would be aligned to the baseline grid, essentially overriding your leading.) Another option, Balance Ragged Lines, in the Paragraph panel s and Control panel s flyout menus ensures that the rag is balanced, which means that the lines of text alternate between short and long when possible, rather than fall in a seemingly random pattern. The purpose of this option is to make headlines and other large copy, such as in ads, more visually pleasing. You wouldn t use this option for body text; the use of small text size and the need for efficient spacing in body text make this feature irrelevant. Unfortunately, this setting also forces hyphenation to achieve the balanced rag, which may be contrary to your intent.

Options for Layer This option is called Options for whatever the name of the active layer is The menu item reads Options for Selection if you select more than one layer Clicking Options for Selection displays the Layer Options dialog box If more than one layer is selected, the layer options affect all selected layers Make/Release Clipping Mask This option creates a clipping mask in the layer The topmost object in the layer acts as the masking shape Locate Object Use this to find where an object is located in the Layers panel Choose an object in the document and then select this option to see where it is in the Layers panel Merge Selected This option combines selected layers into one Merging layers does two important things: First, in just one step, it places art together that you want on the same layer.

If you want to present an Alert dialog box with multiple buttons and make it non-modal, include the Alert.NONMODAL constant in the flags argument:

(7.24)

For special characters, this allows typing those characters directly into a text box instead of being forced to use the Glyph panel.

Nonexistent, for the most part. I ve included several icons throughout this edition that may make reading this book a little more enjoyable and helpful:

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